pavleheidler (they/them) (adhd+autism)
“It all comes down to the stories we tell (ourselves).”
menu:
links:
individual sessions:
current availabilities:
(link)
The goal of the session is to support you, via the study of BMC® and its principles, in developing your inquiry in an embodied sense.
You may, for example, have a question that you don't know how to answer, or a feeling you don't know how to process, or stiffness or pain that you don't know how to soften; you could have come to a realisation that you don't know how to integrate or have grief that you don't know how to sit with.
Alternatively, you may (simply) want to know more about how your body works, where your liver lives, or what the difference is between thinking, feeling, and sensing.
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In the context of an individual session, you benefit from receiving undivided attention from a certified educator, and having your questions addressed in specific instead of generalised ways (as is often the case in a workshop or a class setting). Most significantly, in the context of an individual session, you are in charge of the time, the pace, the tone, and the atmosphere.
next:
Fields of Tender
Choreography and overall design: Dalija Aćin Thelander
In collaboration with and performed by: Noah Hellwig, Jimmie Larsson, pavleheidler, Jilda Hallin;
Music: Thomas Jeker;
Digital animation and interactive technologies: Filip Mikic
Supported by: Menų spaustuvė/Arts Printing House (Vilnius, Lithuania), Kulturhuset Dieselverkstaden (Stockholm, Sweden), Muzeum Susch / Art Stations Foundation CH (Susch, Switzerland), LaSala (Sabadell, Spain).
Laughter in Process
choreography: Jannine Rivel
dance: Amanda Billberg, Stine Marcinkowski Pettersson, and me
musik: Hannah Tolf & Xenia Kriisin
light: Åsa Holtz
dramaturgy: Márcia Lança
producer: Mer Dans åt Folke
dates:
April 28, 2024, Lokomotivet Eskilstuna
“I laugh to discover I am uncomfortable, I laugh to discover something’s funny, I laugh to discover I am disoriented, that I have no idea what’s going on. This is the capacity of laughter as a physiological phenomenon, this is laughter as reflex as initiator of a complex, cognitive process. I laugh at the relief of hearing somebody else’s laughter to communicate recognition, alliance, empathy. This is the capacity of laughter as a physiological phenomenon playing into the capacity of laughter as a social phenomenon; this is laughter as reflex as initiator of a complex, cognitive process that itself initiates a social interaction.”
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LACE #2: Mediating Touch
Hospitality, Integration, and the Interstitial
ImPulsTanz Symposium for Dance and Other Contemporary Practices
curated by Deirdre Morris, Sylvia Scheids, and pavleheidler
dates:
Symposium, July 26-28, 2024
Residency, July 29-August 2, 2024
Vienna, Austria
2024 © pavleheidler